When life puts you in an empty coach, make pictures!

district 9 and a half, originally uploaded by faz k.

All right - perhaps a rather lame attempt at that 'making lemonade from the lemons life gave you' line, but what the heck - I think you know what I mean ;)

Of course it's tough making your way along this world by yourself. We smile and nod when people tell us to 'chin up - you're never alone' yet wish sometimes they don't say these things. They mean well, and so do we when we find ourselves saying the same things to others.

I'm sure you've seen or at least heard of the slideshow that likens this life to a train journey. You get people come on board and sit with you in your train coach. They get off at their stops & other people board the train and join you. There are stretches of that journey when you're by yourself. That's ok. That's the 'me' time that you can use to hold a mirror up to see deep inside you. Have you been good travel companions? Have you shown interest in your travel buddy's journey? How much have you listened to the stories from other people in your train coach? Has it been a good trip from them too? Sure, you poke them a bit when their snores get too loud (it's an overnight train) but do you get rattled when they prod you because your snoring kept them awake some other nights?

When you're done looking into the mirror, put it down and look out the window. There's still a whole wide world out there to see. Your train's still on track, chugging along. Enjoy the trip, and make pictures as you go along. They're your memories.

Pic info: taken with my James (EOS 500D), 1/125sec, f4.0, 18mm focal length on my 18-55mm kit lens, ISO 200.

#2: Adding copyright information to your pictures

I've always thought I could only add copyright information to my pictures during post-processing. I've used Picasa & Lightroom for this purpose before. Now, thanks to the Canon EOS Digital Rebel T1i/500D Companion by Ben Long I can now use Canon EOS Utility software that came with my 500D to store a custom copyright message in my pictures. This is useful for me to prove ownership of my images, especially the ones I share via my flickr, jpgmag & twitter.

I plugged James (that's what I call my 500D) into the laptop, using the USB cable, and powered on. The EOS utility window will launch. I suggest you go through these steps too:

From that first screen, click Camera Settings/Remote Shooting, & you'll see the window in picture #2.

Click on the tool button (it's about halfway down the window) - I've circled it in red.

In the Set-up Menu section, click on the Copyright notice entry.

Enter your information and click OK. I also configured the Owner's Name field, since I was there.

Mr Long advised that pressing the Menu button on the camera, navigating to the 3rd tool menu, choosing Clear Settings & pressing the Display button can confirm that we've set the copyright info correctly. I did that, and I saw my name displayed on the LCD screen.

After closing the application and unplugging James, I took a photo to check if the updated data would show in the info screen. I wasn't disappointed.

So hey - I learned something new today. Put in this info one time, and this way works for me fine. If this can be beneficial to other 500D owners, that's cool too.

Enjoy photography!

#1 Seeing the picture that I want to see

Click on the picture for a bigger view.

Sometimes, I want to see more in a black & white image. This photo gave me an opportunity to use Canon Digital Photo Professional (DPP) application to help me see the picture that I want within the photograph that I have.

The journey for this picture was from the top; full colour, uncropped. I wanted to focus on the decaying structure, so I cropped tighter, taking the garbage bag out. I then turned the picture monochrome, pushed up the sliders for sharpness and shadow up to the middle of their respective bars, and arrived at the darker image in the middle. Somehow this doesn't capture fully what I had felt when I saw this house/shed. I had been curious about who had lived in it before, what it was used for. What I had in mind was this thought: everything has its history. Things are not in black and white all the time. That prompted me to move the saturation and sharpness sliders all the way down and up, respectively. Then I tweaked the individual sliders in Red, Green & Blue until I saw a hint of greyish green & red. I wanted to show how the building is pushed way back, as if it has retreated into its fate of decaying quietly, even as the greenery around it continues to live and grow.

Death, is only the beginning, said Imhotep in The Mummy (1999) and I saw those words when I first looked at this structure in Taiping, early this year.

Continue experimenting - you never know what you'll see until you look. The final picture is available here on my flickr stream.

Take care.

Get personal, just don't take it personally.

IMG_0820, originally uploaded by faz k.

I shot this self-portrait 9 days after I got my EOS 500D, James.

Looking at this photo, I found it funny how the only time I can look directly into the camera lens is when a part of my face is covered. This brings me to an apprehension that impacts my choice of photograpy subjects. I tell myself that I prefer inanimate objects instead of humans. One day, my subconscious mind asked back, "what is it about humans that make you avoid them as subjects?"

I allowed my mind to answer, and the revelation surprised me with its honesty. It was a deep-seated feeling that I never belonged anywhere, with anyone. As a child, I looked different from my cousins, and I believed it when my mother implied that I lack grace; very much like a bull in a china shop. I had been a chit-chatty little girl, until I was admonished with "little childen should be seen & not heard". I hid in closets & cupboards, scribbling in my note book conducting conversations in my head where everyone around me would pay rapt attention to what I said. In my teens, my mother reminded me many times that the appropriate time for me to join a conversation would be when I have my own family.

I realise now how this has impacted me as an adult. I was slow to suggest or give opinions for fear of being rejected, not included, and ridiculed. I agreed with the majority even though personally I know there was a better solution. I also shied away from portraiture photography because I convinced myself that I'd just be intruding the potential subjects. I had masked my fear of connecting with a warped sense of reality that I preffered buildings to people.

I realise that now, and have been moving forward since 2 years ago, post NLP certification, when I achieved breakthrough. And now, I'm ready to be more aware of the beauty of moving forward and explore. More specifically, to explore the interesting world of portraiture photography. My beloved buildings can wait :-)

Picture taken 9 June '09, EOS 500D 18-55mm kit lens, f/5.6, 1/4sec, ISO1600, focal length 49mm.